Cowden Park Mural, West Leederville
I recently completed another beautiful piece - an EOI tender to revamp the Cowden Park toilet block, working alongside students from West Leederville Primary School.
For this project, I kicked things off with a concept-building workshop with the students. We explored the theme "Celebrating the beauty of our area," and they came up with incredible ideas that I could incorporate into the mural.
The final design is a fun and vibrant piece that wraps around the building, cleverly integrating areas of the original color to tie it back to its surroundings. A blue horizon line symbolizes Lake Monger, with silhouettes of people enjoying the walking and cycling paths. Native flora and fauna add a local touch, celebrating the area's natural beauty.
To make this project truly community-driven, my team and I created "paint-by-numbers" outlines on the wall. The students then had a painting day, filling in all the flat color areas. They absolutely loved it, and it was amazing to see them proudly point out "their bit" of the mural to friends and family.
I completed the final details, painting realistic birds and animals, and we finished it off with an anti-graffiti coating to ensure longevity.
This project was such a rewarding experience, blending community involvement with creativity.
I recently completed another beautiful piece - an EOI tender to revamp the Cowden Park toilet block, working alongside students from West Leederville Primary School.
For this project, I kicked things off with a concept-building workshop with the students. We explored the theme "Celebrating the beauty of our area," and they came up with incredible ideas that I could incorporate into the mural.
The final design is a fun and vibrant piece that wraps around the building, cleverly integrating areas of the original color to tie it back to its surroundings. A blue horizon line symbolizes Lake Monger, with silhouettes of people enjoying the walking and cycling paths. Native flora and fauna add a local touch, celebrating the area's natural beauty.
To make this project truly community-driven, my team and I created "paint-by-numbers" outlines on the wall. The students then had a painting day, filling in all the flat color areas. They absolutely loved it, and it was amazing to see them proudly point out "their bit" of the mural to friends and family.
I completed the final details, painting realistic birds and animals, and we finished it off with an anti-graffiti coating to ensure longevity.
This project was such a rewarding experience, blending community involvement with creativity.
Manners Hill Park Mural - Peppermint Grove
Securing the tender for Manner’s Hill Park was a testament to the strength of my concept—an elegant and contemporary design that incorporated local flora and fauna in a refined, understated manner.
With this being the Shire of Peppermint Grove’s first mural, my goal was to create an artwork that seamlessly embraced the building while respecting its natural environment. I opted for a modern Australian bush palette, introducing a bold feature colour to provide contrast and visual impact without overwhelming the setting.
To further integrate the mural with its surroundings, I worked with the existing colour of the wall, allowing the artwork to blend harmoniously with the architecture. The design itself is fluid, avoiding hard edges and instead flowing around the building’s sides and the toilet entry walls. This approach not only maximised the space but also ensured the piece felt organic and in tune with its environment.
Bringing this vision to life was a rewarding process, achieved with the support of two assistants over six days of painting. The result is a striking yet sympathetic addition to Peppermint Grove—a mural that enhances rather than imposes, offering a lasting connection between art and nature.
Securing the tender for Manner’s Hill Park was a testament to the strength of my concept—an elegant and contemporary design that incorporated local flora and fauna in a refined, understated manner.
With this being the Shire of Peppermint Grove’s first mural, my goal was to create an artwork that seamlessly embraced the building while respecting its natural environment. I opted for a modern Australian bush palette, introducing a bold feature colour to provide contrast and visual impact without overwhelming the setting.
To further integrate the mural with its surroundings, I worked with the existing colour of the wall, allowing the artwork to blend harmoniously with the architecture. The design itself is fluid, avoiding hard edges and instead flowing around the building’s sides and the toilet entry walls. This approach not only maximised the space but also ensured the piece felt organic and in tune with its environment.
Bringing this vision to life was a rewarding process, achieved with the support of two assistants over six days of painting. The result is a striking yet sympathetic addition to Peppermint Grove—a mural that enhances rather than imposes, offering a lasting connection between art and nature.
250m-Long Mural for Spearwood Ave, Yangebup
I was awarded a commission through an Expression of Interest (EOI) process to transform a 250-meter-long noise wall on Spearwood Avenue. The wall, which had originally been painted in a drab green colour, had long been an eyesore for the local residents. Positioned along a busy road where cars travel at speeds of up to 70 km/h, the wall had limited visibility to pedestrians, and the challenge was to create an engaging design that would be seen predominantly from passing vehicles.
The brief called for a simple, bright, and fun design that would uplift the area while also reflecting the unique characteristics of the suburb. To guide the design process, I held a community consultation workshop, where local residents shared their thoughts on what made Spearwood special. The feedback was invaluable, with many participants pointing out that the wall’s primary audience would be drivers rather than pedestrians, which meant that intricate details would not be visible. As a result, the design needed to focus on large, semi-abstract shapes that would be effective from a distance.
The mural itself is divided into three sections, each representing a different aspect of the suburb’s ecosystems. The leftmost section depicts the inland market gardens, which are a prominent feature of the area. This part of the mural features stylised representations of flowers and onions, reflecting the agricultural history of Spearwood. The middle section transitions into the wetlands, with abstract shapes representing plants such as banksia, bulrushes, gum trees, and tuart flowers. Finally, the mural moves into the coastal zone, showcasing flora such as pigface, Geraldton wax flowers, dune mosses, cushion bush, and seaweed—plants that are native to the region and reflect the suburb’s connection to the sea.
This thoughtful progression from inland market gardens to wetlands and then to the coast creates a visual narrative that mirrors the natural environment surrounding Spearwood. The design's bold and vibrant colours, combined with its large-scale semi-abstract shapes, ensure that the mural stands out from the passing traffic and provides a visual experience for drivers.
The project was completed over the course of nine days, with myself and a team of skilled assistants working to bring the design to life. The outcome is a mural that not only brightens the once-drab wall but also celebrates the local flora and fauna, giving the residents of Spearwood a meaningful and colourful representation of their community's unique ecosystems.
This project highlights the power of public art in transforming urban spaces and fostering a sense of pride and connection within the community. It was a rewarding experience to work closely with the residents and contribute to the aesthetic improvement of Spearwood Avenue.
I was awarded a commission through an Expression of Interest (EOI) process to transform a 250-meter-long noise wall on Spearwood Avenue. The wall, which had originally been painted in a drab green colour, had long been an eyesore for the local residents. Positioned along a busy road where cars travel at speeds of up to 70 km/h, the wall had limited visibility to pedestrians, and the challenge was to create an engaging design that would be seen predominantly from passing vehicles.
The brief called for a simple, bright, and fun design that would uplift the area while also reflecting the unique characteristics of the suburb. To guide the design process, I held a community consultation workshop, where local residents shared their thoughts on what made Spearwood special. The feedback was invaluable, with many participants pointing out that the wall’s primary audience would be drivers rather than pedestrians, which meant that intricate details would not be visible. As a result, the design needed to focus on large, semi-abstract shapes that would be effective from a distance.
The mural itself is divided into three sections, each representing a different aspect of the suburb’s ecosystems. The leftmost section depicts the inland market gardens, which are a prominent feature of the area. This part of the mural features stylised representations of flowers and onions, reflecting the agricultural history of Spearwood. The middle section transitions into the wetlands, with abstract shapes representing plants such as banksia, bulrushes, gum trees, and tuart flowers. Finally, the mural moves into the coastal zone, showcasing flora such as pigface, Geraldton wax flowers, dune mosses, cushion bush, and seaweed—plants that are native to the region and reflect the suburb’s connection to the sea.
This thoughtful progression from inland market gardens to wetlands and then to the coast creates a visual narrative that mirrors the natural environment surrounding Spearwood. The design's bold and vibrant colours, combined with its large-scale semi-abstract shapes, ensure that the mural stands out from the passing traffic and provides a visual experience for drivers.
The project was completed over the course of nine days, with myself and a team of skilled assistants working to bring the design to life. The outcome is a mural that not only brightens the once-drab wall but also celebrates the local flora and fauna, giving the residents of Spearwood a meaningful and colourful representation of their community's unique ecosystems.
This project highlights the power of public art in transforming urban spaces and fostering a sense of pride and connection within the community. It was a rewarding experience to work closely with the residents and contribute to the aesthetic improvement of Spearwood Avenue.
"Homecoming" - a 40m Long Mural for High Wycombe Train Station
I had the privilege of collaborating with the Public Transport Authority, Right Track, and the City of Kalamunda to create a lasting piece of public art. The location was unique: a 38-meter-long, 2.6-meter-high curved wall on Ibis Place in High Wycombe, near the newly established High Wycombe train station. The wall surrounds an electrical substation and is a prominent feature for pedestrians, cyclists, and drivers accessing the station precinct. The goal was to design an artwork that would not only blend with its surroundings but also resonate with the community that interacts with it daily.
The design process began with a workshop involving a group of young people from the Right Track program. The participants identified key themes that would guide the artwork, including connection, the natural beauty of Kalamunda, and local flora and fauna. The animals that were particularly meaningful to the group—such as Black Cockatoos, Jacarandas, and Kangaroos—became central to the mural’s narrative.
Taking these themes to heart, I developed a design that transitions from the geometric shapes of the city to the organic, natural forms found in the surrounding hills. The left side of the wall features sharp, angular shapes that represent the city, while the right side showcases more realistic depictions of the animals—Black Cockatoos, Kangaroos, and Jacarandas—symbolizing the journey home from work through the familiar landscapes of the hills. The transformation of these geometric city animals into more lifelike forms of wildlife reflects the commuters’ own transition from the urban environment to the serene, natural beauty of their hometowns.
The mural’s unique, curved structure means that it must be walked around to fully experience the artwork, mimicking the unfolding landscape as viewed from a moving train. This design invites viewers to engage with the mural as they move through the space, creating a dynamic experience that is always in motion.
I had the privilege of collaborating with the Public Transport Authority, Right Track, and the City of Kalamunda to create a lasting piece of public art. The location was unique: a 38-meter-long, 2.6-meter-high curved wall on Ibis Place in High Wycombe, near the newly established High Wycombe train station. The wall surrounds an electrical substation and is a prominent feature for pedestrians, cyclists, and drivers accessing the station precinct. The goal was to design an artwork that would not only blend with its surroundings but also resonate with the community that interacts with it daily.
The design process began with a workshop involving a group of young people from the Right Track program. The participants identified key themes that would guide the artwork, including connection, the natural beauty of Kalamunda, and local flora and fauna. The animals that were particularly meaningful to the group—such as Black Cockatoos, Jacarandas, and Kangaroos—became central to the mural’s narrative.
Taking these themes to heart, I developed a design that transitions from the geometric shapes of the city to the organic, natural forms found in the surrounding hills. The left side of the wall features sharp, angular shapes that represent the city, while the right side showcases more realistic depictions of the animals—Black Cockatoos, Kangaroos, and Jacarandas—symbolizing the journey home from work through the familiar landscapes of the hills. The transformation of these geometric city animals into more lifelike forms of wildlife reflects the commuters’ own transition from the urban environment to the serene, natural beauty of their hometowns.
The mural’s unique, curved structure means that it must be walked around to fully experience the artwork, mimicking the unfolding landscape as viewed from a moving train. This design invites viewers to engage with the mural as they move through the space, creating a dynamic experience that is always in motion.
Custom Window Graphics for Coca-Cola
I had the privilege of again working with Coca-Cola, this time on a unique digital window artwork for Polly Coffee Bar, an iconic venue in the heart of Perth’s main cultural precinct. This was an exciting challenge—creating a design that reflected the cafe owner’s vision while subtly incorporating Coca-Cola branding.
Since the final piece was to be printed onto vinyl and applied to the cafe’s windows, I proposed a photographic-based montage. Inspired by the Colombian coffee region, the artwork was shaped by the owner's desire to emphasise coffee, jungles, and the hardworking growers of Latin America.
To make this vision a reality, I teamed up with professional photographer Matt Fieldes and traveled to Colombia’s Zona Cafetera. There, I personally directed the photography process, capturing the lush landscapes and vibrant coffee culture firsthand.
Using these stunning images, I created a rich jungle and coffee montage—bold, immersive, and alive with color. The Coca-Cola branding was woven in subtly, enhancing rather than overpowering the beauty of the scene. The final window is visually striking tribute to coffee culture that perfectly complements Polly Coffee Bar’s atmosphere.
This project was an incredible journey from concept to completion, and I’m thrilled to see it become part of Perth’s creative landscape.
I had the privilege of again working with Coca-Cola, this time on a unique digital window artwork for Polly Coffee Bar, an iconic venue in the heart of Perth’s main cultural precinct. This was an exciting challenge—creating a design that reflected the cafe owner’s vision while subtly incorporating Coca-Cola branding.
Since the final piece was to be printed onto vinyl and applied to the cafe’s windows, I proposed a photographic-based montage. Inspired by the Colombian coffee region, the artwork was shaped by the owner's desire to emphasise coffee, jungles, and the hardworking growers of Latin America.
To make this vision a reality, I teamed up with professional photographer Matt Fieldes and traveled to Colombia’s Zona Cafetera. There, I personally directed the photography process, capturing the lush landscapes and vibrant coffee culture firsthand.
Using these stunning images, I created a rich jungle and coffee montage—bold, immersive, and alive with color. The Coca-Cola branding was woven in subtly, enhancing rather than overpowering the beauty of the scene. The final window is visually striking tribute to coffee culture that perfectly complements Polly Coffee Bar’s atmosphere.
This project was an incredible journey from concept to completion, and I’m thrilled to see it become part of Perth’s creative landscape.
“We tasked Fieldey with a rather tricky brief. To pay homage to a unique venue, Pollys Coffee Bar, in one of the most iconic part in Perth.
Not only did Fieldey decipher our complex brief, she kept numerous stakeholders happy and engaged while providing a fantastic end solution that complimented the outlet and surrounds.
Fieldey was a delight to work with and I look forward to collaborating with her on many projects to come.”
Kristy Aylmore, Customer Activation Manager, Coca-Cola.
LIQUITEX Skate Art for OZ Comic-Con
In April 2015, Jasco commissioned artist Fieldey to create three unique skate decks for display at Oz Comic-Con in Melbourne, showcasing the versatility of Liquitex products. Fieldey used her signature graffiti-inspired techniques, including basic fades, a liquid soap effect, and chains as stencils, to bring her designs to life.
The three decks featured distinct themes: a Little Red Riding Hood-inspired design, a wild blue and green bulldog, and a tattoo-style board with skulls and chains. Each piece demonstrated how Liquitex aerosol and acrylic paints could work together to create vibrant, textured artworks.
In April 2015, Jasco commissioned me to create three unique skate decks for display at Oz Comic-Con in Melbourne, showcasing the versatility of Liquitex paint products.
I focused on graffiti-inspired techniques, including basic fades, a liquid soap effect, and chains as stencils, to bring my designs to life.
Each skate deck is a storytelling piece - a "Story Boards".
Little Red Riding Hood-Inspired Deck: This design took a playful, dark twist on the classic fairy tale character, with Fieldey’s signature blend of colors and sharp contrasts.
Crazy Blue/Green Bulldog Deck: A wild, energetic design featuring a bulldog in vibrant blues and greens, this deck was a bold representation of Fieldey’s high-energy artistic style.
Skulls and Chains Tattoo-Inspired Deck: With intricate detailing and a moody, monochrome color scheme, this deck captured the essence of tattoo art, showcasing a mastery of both spray paint and acrylic techniques.
A “making of” video, which documents my process from start to finish, was played throughout the event, offering viewers an intimate glimpse of the artistic journey behind the skate decks. The video was later shared across Liquitex Australia’s social media channels, amplifying the success of the collaboration and showcasing my approach to using Liquitex products.
The collaboration brought a burst of color and creativity to an already vibrant Oz Comic-Con, and also highlighted the endless possibilities of Liquitex paints in the hands of a skilled artist. I am always delighted to have oppertunities to work at the intersection of street art and fine craftsmanship.
