Cowden Park Mural, West Leederville
I recently completed another beautiful piece - an EOI tender to revamp the Cowden Park toilet block, working alongside students from West Leederville Primary School.
For this project, I kicked things off with a concept-building workshop with the students. We explored the theme "Celebrating the beauty of our area," and they came up with incredible ideas that I could incorporate into the mural.
The final design is a fun and vibrant piece that wraps around the building, cleverly integrating areas of the original color to tie it back to its surroundings. A blue horizon line symbolizes Lake Monger, with silhouettes of people enjoying the walking and cycling paths. Native flora and fauna add a local touch, celebrating the area's natural beauty.
To make this project truly community-driven, my team and I created "paint-by-numbers" outlines on the wall. The students then had a painting day, filling in all the flat color areas. They absolutely loved it, and it was amazing to see them proudly point out "their bit" of the mural to friends and family.
I completed the final details, painting realistic birds and animals, and we finished it off with an anti-graffiti coating to ensure longevity.
This project was such a rewarding experience, blending community involvement with creativity.
I recently completed another beautiful piece - an EOI tender to revamp the Cowden Park toilet block, working alongside students from West Leederville Primary School.
For this project, I kicked things off with a concept-building workshop with the students. We explored the theme "Celebrating the beauty of our area," and they came up with incredible ideas that I could incorporate into the mural.
The final design is a fun and vibrant piece that wraps around the building, cleverly integrating areas of the original color to tie it back to its surroundings. A blue horizon line symbolizes Lake Monger, with silhouettes of people enjoying the walking and cycling paths. Native flora and fauna add a local touch, celebrating the area's natural beauty.
To make this project truly community-driven, my team and I created "paint-by-numbers" outlines on the wall. The students then had a painting day, filling in all the flat color areas. They absolutely loved it, and it was amazing to see them proudly point out "their bit" of the mural to friends and family.
I completed the final details, painting realistic birds and animals, and we finished it off with an anti-graffiti coating to ensure longevity.
This project was such a rewarding experience, blending community involvement with creativity.
Manners Hill Park Mural - Peppermint Grove
Securing the tender for Manner’s Hill Park was a testament to the strength of my concept—an elegant and contemporary design that incorporated local flora and fauna in a refined, understated manner.
With this being the Shire of Peppermint Grove’s first mural, my goal was to create an artwork that seamlessly embraced the building while respecting its natural environment. I opted for a modern Australian bush palette, introducing a bold feature colour to provide contrast and visual impact without overwhelming the setting.
To further integrate the mural with its surroundings, I worked with the existing colour of the wall, allowing the artwork to blend harmoniously with the architecture. The design itself is fluid, avoiding hard edges and instead flowing around the building’s sides and the toilet entry walls. This approach not only maximised the space but also ensured the piece felt organic and in tune with its environment.
Bringing this vision to life was a rewarding process, achieved with the support of two assistants over six days of painting. The result is a striking yet sympathetic addition to Peppermint Grove—a mural that enhances rather than imposes, offering a lasting connection between art and nature.
Securing the tender for Manner’s Hill Park was a testament to the strength of my concept—an elegant and contemporary design that incorporated local flora and fauna in a refined, understated manner.
With this being the Shire of Peppermint Grove’s first mural, my goal was to create an artwork that seamlessly embraced the building while respecting its natural environment. I opted for a modern Australian bush palette, introducing a bold feature colour to provide contrast and visual impact without overwhelming the setting.
To further integrate the mural with its surroundings, I worked with the existing colour of the wall, allowing the artwork to blend harmoniously with the architecture. The design itself is fluid, avoiding hard edges and instead flowing around the building’s sides and the toilet entry walls. This approach not only maximised the space but also ensured the piece felt organic and in tune with its environment.
Bringing this vision to life was a rewarding process, achieved with the support of two assistants over six days of painting. The result is a striking yet sympathetic addition to Peppermint Grove—a mural that enhances rather than imposes, offering a lasting connection between art and nature.
250m-Long Mural for Spearwood Ave, Yangebup
I was awarded a commission through an Expression of Interest (EOI) process to transform a 250-meter-long noise wall on Spearwood Avenue. The wall, which had originally been painted in a drab green colour, had long been an eyesore for the local residents. Positioned along a busy road where cars travel at speeds of up to 70 km/h, the wall had limited visibility to pedestrians, and the challenge was to create an engaging design that would be seen predominantly from passing vehicles.
The brief called for a simple, bright, and fun design that would uplift the area while also reflecting the unique characteristics of the suburb. To guide the design process, I held a community consultation workshop, where local residents shared their thoughts on what made Spearwood special. The feedback was invaluable, with many participants pointing out that the wall’s primary audience would be drivers rather than pedestrians, which meant that intricate details would not be visible. As a result, the design needed to focus on large, semi-abstract shapes that would be effective from a distance.
The mural itself is divided into three sections, each representing a different aspect of the suburb’s ecosystems. The leftmost section depicts the inland market gardens, which are a prominent feature of the area. This part of the mural features stylised representations of flowers and onions, reflecting the agricultural history of Spearwood. The middle section transitions into the wetlands, with abstract shapes representing plants such as banksia, bulrushes, gum trees, and tuart flowers. Finally, the mural moves into the coastal zone, showcasing flora such as pigface, Geraldton wax flowers, dune mosses, cushion bush, and seaweed—plants that are native to the region and reflect the suburb’s connection to the sea.
This thoughtful progression from inland market gardens to wetlands and then to the coast creates a visual narrative that mirrors the natural environment surrounding Spearwood. The design's bold and vibrant colours, combined with its large-scale semi-abstract shapes, ensure that the mural stands out from the passing traffic and provides a visual experience for drivers.
The project was completed over the course of nine days, with myself and a team of skilled assistants working to bring the design to life. The outcome is a mural that not only brightens the once-drab wall but also celebrates the local flora and fauna, giving the residents of Spearwood a meaningful and colourful representation of their community's unique ecosystems.
This project highlights the power of public art in transforming urban spaces and fostering a sense of pride and connection within the community. It was a rewarding experience to work closely with the residents and contribute to the aesthetic improvement of Spearwood Avenue.
I was awarded a commission through an Expression of Interest (EOI) process to transform a 250-meter-long noise wall on Spearwood Avenue. The wall, which had originally been painted in a drab green colour, had long been an eyesore for the local residents. Positioned along a busy road where cars travel at speeds of up to 70 km/h, the wall had limited visibility to pedestrians, and the challenge was to create an engaging design that would be seen predominantly from passing vehicles.
The brief called for a simple, bright, and fun design that would uplift the area while also reflecting the unique characteristics of the suburb. To guide the design process, I held a community consultation workshop, where local residents shared their thoughts on what made Spearwood special. The feedback was invaluable, with many participants pointing out that the wall’s primary audience would be drivers rather than pedestrians, which meant that intricate details would not be visible. As a result, the design needed to focus on large, semi-abstract shapes that would be effective from a distance.
The mural itself is divided into three sections, each representing a different aspect of the suburb’s ecosystems. The leftmost section depicts the inland market gardens, which are a prominent feature of the area. This part of the mural features stylised representations of flowers and onions, reflecting the agricultural history of Spearwood. The middle section transitions into the wetlands, with abstract shapes representing plants such as banksia, bulrushes, gum trees, and tuart flowers. Finally, the mural moves into the coastal zone, showcasing flora such as pigface, Geraldton wax flowers, dune mosses, cushion bush, and seaweed—plants that are native to the region and reflect the suburb’s connection to the sea.
This thoughtful progression from inland market gardens to wetlands and then to the coast creates a visual narrative that mirrors the natural environment surrounding Spearwood. The design's bold and vibrant colours, combined with its large-scale semi-abstract shapes, ensure that the mural stands out from the passing traffic and provides a visual experience for drivers.
The project was completed over the course of nine days, with myself and a team of skilled assistants working to bring the design to life. The outcome is a mural that not only brightens the once-drab wall but also celebrates the local flora and fauna, giving the residents of Spearwood a meaningful and colourful representation of their community's unique ecosystems.
This project highlights the power of public art in transforming urban spaces and fostering a sense of pride and connection within the community. It was a rewarding experience to work closely with the residents and contribute to the aesthetic improvement of Spearwood Avenue.
"Homecoming" - a 40m Long Mural for High Wycombe Train Station
I had the privilege of collaborating with the Public Transport Authority, Right Track, and the City of Kalamunda to create a lasting piece of public art. The location was unique: a 38-meter-long, 2.6-meter-high curved wall on Ibis Place in High Wycombe, near the newly established High Wycombe train station. The wall surrounds an electrical substation and is a prominent feature for pedestrians, cyclists, and drivers accessing the station precinct. The goal was to design an artwork that would not only blend with its surroundings but also resonate with the community that interacts with it daily.
The design process began with a workshop involving a group of young people from the Right Track program. The participants identified key themes that would guide the artwork, including connection, the natural beauty of Kalamunda, and local flora and fauna. The animals that were particularly meaningful to the group—such as Black Cockatoos, Jacarandas, and Kangaroos—became central to the mural’s narrative.
Taking these themes to heart, I developed a design that transitions from the geometric shapes of the city to the organic, natural forms found in the surrounding hills. The left side of the wall features sharp, angular shapes that represent the city, while the right side showcases more realistic depictions of the animals—Black Cockatoos, Kangaroos, and Jacarandas—symbolizing the journey home from work through the familiar landscapes of the hills. The transformation of these geometric city animals into more lifelike forms of wildlife reflects the commuters’ own transition from the urban environment to the serene, natural beauty of their hometowns.
The mural’s unique, curved structure means that it must be walked around to fully experience the artwork, mimicking the unfolding landscape as viewed from a moving train. This design invites viewers to engage with the mural as they move through the space, creating a dynamic experience that is always in motion.
I had the privilege of collaborating with the Public Transport Authority, Right Track, and the City of Kalamunda to create a lasting piece of public art. The location was unique: a 38-meter-long, 2.6-meter-high curved wall on Ibis Place in High Wycombe, near the newly established High Wycombe train station. The wall surrounds an electrical substation and is a prominent feature for pedestrians, cyclists, and drivers accessing the station precinct. The goal was to design an artwork that would not only blend with its surroundings but also resonate with the community that interacts with it daily.
The design process began with a workshop involving a group of young people from the Right Track program. The participants identified key themes that would guide the artwork, including connection, the natural beauty of Kalamunda, and local flora and fauna. The animals that were particularly meaningful to the group—such as Black Cockatoos, Jacarandas, and Kangaroos—became central to the mural’s narrative.
Taking these themes to heart, I developed a design that transitions from the geometric shapes of the city to the organic, natural forms found in the surrounding hills. The left side of the wall features sharp, angular shapes that represent the city, while the right side showcases more realistic depictions of the animals—Black Cockatoos, Kangaroos, and Jacarandas—symbolizing the journey home from work through the familiar landscapes of the hills. The transformation of these geometric city animals into more lifelike forms of wildlife reflects the commuters’ own transition from the urban environment to the serene, natural beauty of their hometowns.
The mural’s unique, curved structure means that it must be walked around to fully experience the artwork, mimicking the unfolding landscape as viewed from a moving train. This design invites viewers to engage with the mural as they move through the space, creating a dynamic experience that is always in motion.
Community Mural for Weeip Park Development
As an artist, I believe in the power of art to foster community identity and engagement. The Weeip Park Community Art Mural was a project designed to do just that—creating a vibrant landmark for the Weeip Park Youth Space while involving the young people of Midland to take part as active stakeholders in their own community.
To ensure the mural reflected the voices and experiences of the local youth, I conducted five youth engagement brainstorming sessions and a dedicated workshop. These sessions were designed to gather a diverse range of ideas and stories, ensuring the final artwork was both meaningful and representative of the community. Additionally, drawing on my experience as a YouTube creator, I developed a custom video to promote the project—meeting young people on a platform they use and identify with.
A major theme of the mural is connection—both in the literal sense of Midland’s role as a transport hub and in the way young people come together in shared spaces. The design features colourful squares and shapes that form a semi-realistic map of Midland, highlighting key locations such as schools and Midland Gate. These elements were designed to be accessible for all skill levels, allowing participants to contribute during six community painting days that I facilitated.
Complementing this dynamic map are personal stories and memories, expressed through realistic black-and-white imagery and accompanying text. These contributions, provided by individual young people, create a story trail that visitors can follow throughout the park. The result is a mural that not only enhances the space visually but also serves as a testament to the significance of creative arts in building community and offering young people a sense of belonging and purpose.
This project exemplifies the role of art in shaping public spaces, fostering engagement, and demonstrating to the youth of Midland that creativity is a powerful tool for storytelling, connection, and professional opportunity. I am honoured to have been part of this initiative, and I look forward to seeing the impact it will continue to have on the community.
As an artist, I believe in the power of art to foster community identity and engagement. The Weeip Park Community Art Mural was a project designed to do just that—creating a vibrant landmark for the Weeip Park Youth Space while involving the young people of Midland to take part as active stakeholders in their own community.
To ensure the mural reflected the voices and experiences of the local youth, I conducted five youth engagement brainstorming sessions and a dedicated workshop. These sessions were designed to gather a diverse range of ideas and stories, ensuring the final artwork was both meaningful and representative of the community. Additionally, drawing on my experience as a YouTube creator, I developed a custom video to promote the project—meeting young people on a platform they use and identify with.
A major theme of the mural is connection—both in the literal sense of Midland’s role as a transport hub and in the way young people come together in shared spaces. The design features colourful squares and shapes that form a semi-realistic map of Midland, highlighting key locations such as schools and Midland Gate. These elements were designed to be accessible for all skill levels, allowing participants to contribute during six community painting days that I facilitated.
Complementing this dynamic map are personal stories and memories, expressed through realistic black-and-white imagery and accompanying text. These contributions, provided by individual young people, create a story trail that visitors can follow throughout the park. The result is a mural that not only enhances the space visually but also serves as a testament to the significance of creative arts in building community and offering young people a sense of belonging and purpose.
This project exemplifies the role of art in shaping public spaces, fostering engagement, and demonstrating to the youth of Midland that creativity is a powerful tool for storytelling, connection, and professional opportunity. I am honoured to have been part of this initiative, and I look forward to seeing the impact it will continue to have on the community.
Beachside Painting Workshops for Fringe Festival
The City of Stirling approached me to run custom 'drop-in' trucker painting workshops at the stunning Sunset Veranda during the Fringe World Festival. This free activity aimed to kids, parents, and other festival goers.
Over the course of the festival, we facilitated multiple three-hour drop-in workshops. People of all ages showed up eager to customise their very own trucker caps. Each participant could choose from four different coloured caps, and we supplied all the paint pens and pencils needed to turn a blank canvas into something truly special.
The concept was designed to be laid-back and accessible. With the drop-in style, we could accommodate up to 50 people in just two hours, which meant we could include as many participants as possible throughout the day. It also meant that we could cater to different age groups and attention spans.
What I loved the most was seeing the creativity flow, especially when the kids realised they could create their very own piece of wearable art. It was amazing to watch them get absorbed in the painting process, knowing that they would walk away with something they could wear with pride. The joy on their faces when they finished their caps—some even proudly rocking them to school after—was priceless.
The City of Stirling approached me to run custom 'drop-in' trucker painting workshops at the stunning Sunset Veranda during the Fringe World Festival. This free activity aimed to kids, parents, and other festival goers.
Over the course of the festival, we facilitated multiple three-hour drop-in workshops. People of all ages showed up eager to customise their very own trucker caps. Each participant could choose from four different coloured caps, and we supplied all the paint pens and pencils needed to turn a blank canvas into something truly special.
The concept was designed to be laid-back and accessible. With the drop-in style, we could accommodate up to 50 people in just two hours, which meant we could include as many participants as possible throughout the day. It also meant that we could cater to different age groups and attention spans.
What I loved the most was seeing the creativity flow, especially when the kids realised they could create their very own piece of wearable art. It was amazing to watch them get absorbed in the painting process, knowing that they would walk away with something they could wear with pride. The joy on their faces when they finished their caps—some even proudly rocking them to school after—was priceless.
For those who wanted to get even more creative, we allowed participants to bring along their surfboards or skateboards, providing an opportunity for them to paint on their own gear.
All in all, the workshops were a huge success. They offered a free, engaging activity for festival-goers that brought the community together in a way that felt relaxed and creative. Seeing people of all ages come together to express their own style through art—whether on a cap, board, or just on paper—displayed the spirit of Perth Fridge - creativity without borders.
